"Spring's Rebirth"

"Spring's Rebirth"
"Spring's Rebirth" 18"x30" Acrylic on Canvas 2016

Thursday, March 6, 2014

Personalized Book Covers: The making of an autobiography

Printmaking: Autobiography Cover
For this project, we began by creating some thumbnail sketches to help plan for our final idea.  Making an autobiography cover about yourself can take some time.  There are many parts of life one might want to include, so we brainstormed on paper.  We thought about what we would want people to know about us by looking at our book cover.
 
Once we had an idea, or combination of ideas, for the print, we drew the design into our foam surface creating relief.  Relief is the process of carving into the surface of anything.  The lines that are carved in the surface remain white in the printing process.  All the flat area remaining takes on the color.  The print is a mirror image of the plate.
 
Next, we learned the process to create a quality print (load brayer, ink plate surface, center it on printing paper, rub, peel it off carefully, write name on bottom right, and write proof on bottom left).  Students were given time to create multiple prints.  Being able to print the same picture multiple times is one of the attractive parts of printmaking compared to other medias.  All the prints are "proofs", or ways of testing that the relief lines printed well and testing different colors.
 
 
 

Pinch Pots: A Study of Native American Inidan Culture

Ancient Native American Indian Inspired Pinch Pots
 We began with raw white clay.  Then we wedged the clay, which is the process of getting all the air bubbles out of the clay.  Then we rolled it into a ball.  Next we started a hole with our thumb and began pinching.

We then "pinched" it into the pot shape we wanted.
Next we carved traditional imagery into the wet clay.  Carving into the surface creates RELIEF.  We had many options for the relief such as: animals, symbols, patterns and natural elements.

Then we glazed the pots using common earth tone colors from ancient tribes (red, brown, black white).  Glaze looks much different at first.  When we first put it on, it is nothing like how it will eventually look once it has been fired in the kiln.  At first glaze looks very dull, has a flat finish, and is very pastel.  In the kiln, is goes through a chemical change (science!) where it melts, releases gasses, activates certain chemicals (don't worry, totally non-toxic), and then cools.  When we take them out of the kiln it looks much different!!!


Here are a few examples of some of the finished glazes!